Getting a large format sound system to work correctly in its chosen environment is not always and easy task. This is where our years of experience in the field comes in very handy. Modern line-array systems can cover an entire audience field with crisp, clear, and evenly distributed sound. No longer do you have to contend with a loud aria close to the speakers and insufficient SPL (Sound Pressure Level) at the back, nor do you have to suffer the constant fear of feedback as soon an entertainer’s microphone moves toward a speaker array. Modern stage monitors, amplification, mixing consoles and house speakers are well equipped to offer a host of tools to battle these primitive problems.

That said, the budget is in more cases than not the deciding factor on things like system size and complexity, the brand of PA, output power of the speaker system and input count of the mixing and processing systems.

We had the privilege of working with and installing some of the best PA systems in the world. We installed two different venues with 16-a-side Martin O-Line, Micro Line Arrays speaker systems, had extensive contact with the Martin Audio WPC, MLA Mini and WPM line array systems in a live scenario, installed many, more affordable Wharfedale WLA25 and WLA28 systems. The brand, size and output truly depend on your budget and there is a budget that will suit you, let us help you find that point.

Stage lighting is a diverse and interesting field, filled with potholes and dead-end streets. Using the correct DMX controllers and light fixtures from the start is by far the best and easiest way to get your venue looking great and working reliably.
From the best moving heads (moving yoke) spot, beam, or wash lights to the static fresnel and profile lights, the dynamic Follow spots, smoke and haze machines and the easiest or best lighting DMX controllers we have the right set of skills to repair, maintain, expand or supply your stage lighting needs.