The Allen & Heath ZED14, ZED12FX, and XB14 share a core design as mixers. Each is centered around six mono mic/line input channels and four or three stereo input sources. The ZED12FX differs by incorporating three stereo inputs, sacrificing one channel as a Stereo effects return – equipped with full EQ and Auxiliary sends.
You might wonder why we consistently opt for Allen & Heath in our installations, and I'll explain concisely. In short, the Allen & Heath ZED Series of analogue mixers stand out because:
They avoid gimmicks like unconventional tone control features, MP3 players, Bluetooth connectivity, peculiar compressor channels, or elaborate graphic EQs that dip 16 decibels in 10mm. These mixers prioritize functionality over flashy features.
They're built with individual channel strips under the faceplate. Each channel is on its own horizontal PC board. If one channel is damaged, you can order and replace that specific part, unlike other mixers that rely on a single "Motherboard," requiring replacement of the entire unit if a channel is damaged.
The layout is highly practical, rooted in our experience in live sound. The ZED series integrates impressive USB In/Out ports, offering options to send AUX 1-2, 3-4, or LR Pre to USB out and Stereo Playback through USB with Full EQ and Aux sends. All controls are intuitively placed, featuring standard functionalities without unnecessary or unfamiliar elements.
All outputs are balanced. The Main Left and Main Right outputs utilize Neutrik XLR, while the rest employ balanced TRS jacks.
In conclusion, the ZED series mixers by Allen & Heath are products of professional input from the rental, recording, and broadcasting industries, designed for sound installers and technicians seeking professional-grade equipment.
While acknowledging the quality of D-Live, SQ, QU, or Avantis systems, these ZED mixers offer unparalleled value for money in their category.
The Allen&Heath QU (QUE) and SQ Series Digital Mixers
The Allen & Heath SQ Range of mixers was created to satisfy some of the most demanding applications in live sound, broadcasting, and recording. The flexibility of the system makes it a welcome addition to any venue, church, or rental company's inventory. With 16 Mic/Line preamps on board, it provides a simple swap-out solution when an analog system needs replacement.
All features are available either in the standalone (on-board) preamps or when used to control the AR or AB stage boxes. You can use the mixing surface as a controller to manage the AB and AR boxes or plug instruments or microphones into the local preamps.
The advantages of the AR and AB boxes are that no multicore or snake cable is needed. All processing occurs in the stage box itself, and control protocol is transmitted through a single LAN cable. Thus, if you lose connectivity on the LAN cable, you only lose control of the mix, not the audio inputs or outputs. Theoretically, you can set up a mix, unplug the mixer from the box, and leave it with the band playing or the matrixes/distributions running.
The Allen & Heath SQ series, comprising the SQ5, SQ6, and SQ7 digital audio mixers, represents the pinnacle of live sound mixing technology. Engineered with unparalleled sonic fidelity and intuitive workflow, these mixers boast remarkable features catering to diverse audio needs. Each model, from the compact SQ5 to the robust SQ7, delivers exceptional performance, combining power with user-friendly design.
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